MARLON MAGNÉE — Yes. Descubre Marlon Brando de Une femme mariée en Amazon Music. We want to put out lots of themed EPs [extended play records]. la femme is reviving french “variété,” singing in french, embracing the melodrama of love, and finding unprecedented success outside france. That video worked. MARLON MAGNÉE — Yes, but it wasn’t always the case. There are lots of contrasts. MARLON MAGNÉE — Yeah, absolutely. We’ve done things for fashion, sold singles, like with Celine. MARLON MAGNÉE — No. I don’t know if you know Aymeric Bergada du Cadet. Born Bad is a great French label with a real indie visual aesthetic. Marlon, habiendo encontrado a Sam Lefevre (bajo) y a Noé Delmas (batería), en París, se toma el nombre de La Femme en 2010. Moda Made In Spain. Leur union ne tiendra pas deux ans, mais donnera naissance à un garçon, Christian. When I travel, I realize that we’re lucky to be in France, to have our educational system, our health. Aujourd'hui jeudi 3 décembre 2020, faites vous plaisir grâce à notre sélection Levis 501 marlon pas cher ! MARLON MAGNÉE — Yes. by John Jefferson Selve, ariana reines We didn’t wait for a producer to come seek us out. In 2010, when we first went to Los Angeles to film, we realized that people at these DJ parties were listening to a lot of the yé-yé and deep-cut French compilations that I told you about. MARLON MAGNÉE — The Beach Boys are a somewhat pop offshoot of surf music because I think surf music is for the most part instrumental. I don’t know if you know Aymeric Bergada du Cadet. When we played the Zénith, we insisted that there be American-style decor and entertainment. But things can go far, and they have to go further. MARLON MAGNÉE — For the album, though, we used different female voices. and finding unprecedented success outside france. They only put out really bizarre French stuff from the ’80s that had been kept in drawers somewhere. Surf music is something I actually discovered in Paris, especially through a group called Les Cavaliers. La Femme have returned with their new single “Paradigme.” The track is off the French Psych-pop band’s forthcoming release (details TBA). OLIVIER ZAHM — That’s right, and she was a model. La Femme es un grupo de rock francés cuyo miembros son originarios de Biarritz, de Bretaña, de Marsella y de París. It’s an ensemble. MARLON MAGNÉE — Yes, it’s personal. People love our French accent. The music is really beautiful. We’re just wrapping up some new songs. Later, during the New Wave and the Cold Wave, we were still listening mostly to French stuff. Even my mother used to say so. MARLON MAGNÉE — For me, Étienne Daho is the name everyone remembers. OLIVIER ZAHM — And not be chasing America… INFO ACCESO MENORES: Requisito Acceso Menores. by Éric Troncy, simon liberati That’s how I discovered groups like Deux and Marie et les Garçons. OLIVIER ZAHM — And your next project? Contact. They see France as this great country. By Katja Rahwels, kamel mennour 13 - LA FEMME RESSORT (5’23) Ecrit et composé par: Marlon Magnée, Sacha Got Chant: Jane Peynot Choeurs: Clara Luciani Enregistré par: Samy Osta et Sam lefevre Mixé par: Samy Osta Editeur: Rockumentary Publishing 14 - WELCOME AMERICA (2’27) Ecrit par: Marlon Magnée, Sacha Got Composé par: Marlon Magnée, Sacha Got, Sam Lefèvre Born Bad is a great French label with a real indie visual aesthetic. The Hollywood side of things is important to us. She’s the one who did the vocals. That’s why we often get singers who know how to sing but aren’t pros. by Benedict Brink, prada by araki It changes. And it’s cool because now we can rediscover them on YouTube and the Internet. MARLON MAGNÉE — Right. OLIVIER ZAHM — It’s good to keep things eclectic, and you’re very eclectic. Avant-indie-electronic collective led by main songwriters Marlon Magnée and Sacha Got. I think there was an image crisis in the 2000s. Later, there was jazz in New Orleans, etc. I was lucky enough to meet him in Paris. If in 20 years, I listen back to my songs and find them just as wicked as before, then I’ve won. MARLON MAGNÉE — We like to bring together gifted people, people with talent. You feel that it’s open. Things are still a little unclear. So, we sang in French. [2], En marzo de 2016, el grupo anuncia su regreso con un sencillo, titulado Sphynx y cuyo el clip está realizado por Marlon Magnée, uno de los miembros del grupo. She’s the one who did the vocals. Clara top. We paid for own first tour with restaurant jobs. En junio de 2016, el grupo estrena Où va le monde?, un segundo extraído de su nuevo álbum Mystère. I think Paris has made a comeback in the 2010s. Patty Pravo, “La Bambola,” for example, which is beautiful but also full of unknown stuff. MARLON MAGNÉE — But even on shows like that, you find talent. Things are still a little unclear. MARLON MAGNÉE — We’re just getting settled into the landscape, but we’ve still got plenty of work ahead of us. OLIVIER ZAHM — There’s an underground to French pop music that isn’t generally known. by Suffo Moncloa, catherine malabou With gigs like that, you can finance your videos and your tours. For one thing, we were listening mostly to French music, especially to a lot of rather obscure ’60s songs. In 2010, when we started, we wanted to show up with a curated look, like Les Rita Mitsouko, with an art director, a world, and real videos. We’ve done things for fashion, sold singles, like with Celine. MARLON MAGNÉE — Yes. MARLON MAGNÉE — There are a few trad groups with the vintage 1962 guitars and the Fender amps and the typical reverb. by Olivier Zahm, le serpent à plumes/vincent darré by Simon Liberati, anna dubosc MARLON MAGNÉE — On albums, we do everything to a click. by Olivier Zahm, iñaki aizpitarte by Olivier Zahm, kapwani kiwanga by Mehdi Belhaj Kacem, eric troncy Ne manquez pas de découvrir toute l’étendue de notre offre à prix cassé. Then there was the “Des Jeunes Gens Mödernes” exhibition in 2008, on which occasion they put out some great stuff. MARLON MAGNÉE — We’re just getting settled into the landscape, but we’ve still got plenty of work ahead of us. “Le Vide Est Ton Nouveau Prénom” [“Void Is Your New First Name”] is a lovely song, and it’s chanson. Sometimes we have a budget, and sometimes we make do with what we’ve got, as we did with Où Va le Monde? by Paolo Roversi, bottega veneta by andrea spotorno In 2010, when we started, we wanted to show up with a curated look, like Les Rita Mitsouko, with an art director, a world, and real videos. OLIVIER ZAHM — So, no two concerts sound the same. He’s got a wacko group of performers. Over there, it’s mostly psychedelic, things that are a bit more pop, like Pitchfork. They only put out really bizarre French stuff from the ’80s that had been kept in drawers somewhere. I remember being in high school and dreaming about putting together a group and saying to myself: “What the hell am I going to do later on? Merci à Marlon pour sa bonne humeur. OLIVIER ZAHM — There’s also a French ambience to it, a sensibility. French Rock musician Marlon Magnee performs with the group La Femme during the annual 'Fete de la Musique' celebration at Central Park SummerStage, New York, New York, June 21, 2016. MARLON MAGNÉE — That’s what people said at the start, but it turns out there’s plenty of foreigners who prefer us to sing in French. We’d done a song called “Always in the Sun.” And she sang one of the songs I did for Celine. For one thing, we go there. by Bob Nickas, louis vuitton by dario catellani MARLON MAGNÉE — It’s always been considered pastiche, a vulgar copy of American music. Caroline Receveur est une femme encore plus comblée depuis le 6 juillet 2018. Your childhood in Biarritz? Reverb. They keep everything just the way it was. by Olivier Zahm, bob nickas The Italian compilations from the ’60s, the yé-yé singers — they were great, too. OLIVIER ZAHM — You’re not amazed at your own success. Whereas we do everything the old-fashioned way, and we play the synthesizers by hand. That drives Sacha bonkers. Ouvrez les portes du plus beau magasin du Web ! So, we sang in French. by Olivier Zahm, mehdi belhaj kacem They didn’t sell at the time. There’s him and Indochine, who are still making music. OLIVIER ZAHM — That’s something that’s always present in your music: the sunniness. There’s Italy, too. The girl has to sing without an accent, but there has to be a sort of fragility to the voice. by Bernard-Henri Lévy, marine serre Consigue fotografías de noticias de alta resolución y gran calidad en Getty Images MARLON MAGNÉE — Yes, that’s part of it, with lots of people who come and go. MARLON MAGNÉE — We set an ambience, establish a feel. MARLON MAGNÉE — Right now, we’re working on a record. He’s more or less responsible for Clémence’s image onstage. MARLON MAGNÉE — At our concerts, we want our audience to dream. MARLON MAGNÉE — Yes. Back then, groups would show up in street clothes. OLIVIER ZAHM — And Christophe? People love our French accent. Way cool!” And they tried to reproduce it. Now, we’re in a different economy, a different time, where you need brands to make a living and get your projects off the ground. I feel good when I go to LA, and I feel like I’m in my element in New York, but I’m very much attached to France. Of course, they also think we’re snobs. MARLON MAGNÉE — That’s funny and flattering, too. It’s not the case with all our songs, but for me some of them are French chanson. MARLON MAGNÉE — Yeah, I really think so. That way, they don’t have any tics. MARLON MAGNÉE — I love Christophe, but I was never a big fan of his music. For one thing, we were listening mostly to French music, especially to a lot of rather obscure ’60s songs. It’s a craft. Sphynx, premier extrait du nouvel album de La Femme. La Femme is not one woman. MARLON MAGNÉE — At our concerts, we want our audience to dream. MARLON MAGNÉE — Yes. MARLON MAGNÉE — Yeah, but there’s a common thread. For Les Victoires de la Musique, we performed with guys dressed up for a 1920s cocktail, and the music started up, and we started to play. Suddenly, they’ve got pipes, a vocal style, and that doesn’t lend itself very well to our music. OLIVIER ZAHM — All of it in French. Then you’ve got groups like Deux and X Ray Pop. Do I want to become a musician?” I’m really proud to have achieved a big part of our dreams. That’s why he wanted to thin out the touring schedule a bit. by Jérôme Sans, MARLON MAGNÉE — That’s funny and flattering, too. OLIVIER ZAHM — When you say, “Le Femme defies definition because La Femme is mysterious,” are you thumbing your nose? MARLON MAGNÉE — Right. We ran into a lot of people who were real fans of that kind of music. We do what’s necessary. Two of us, Sacha and I, are writing the songs. MARLON MAGNÉE — Yes. For one thing, we go there. MARLON MAGNÉE — Yes. by Olivier Zahm, mathias kiss by Olivier Zahm, samuel françois by olivier zahm MARLON MAGNÉE — That’s true. MARLON MAGNÉE — Yes. MARLON MAGNÉE — The Beach Boys are a somewhat pop offshoot of surf music because I think surf music is for the most part instrumental. Suddenly, they’ve got pipes, a vocal style, and that doesn’t lend itself very well to our music. We use very pure ’60s voices, with nothing but reverb. It was a major period in France, but people still tend to dismiss it. [1], En febrero de 2014, el grupo logró ganar en Victoires de la musique (del francés, victorias de la música), en la categoría álbum revelación del año con Psycho Tropical Berlin, lanzado en 2013, el cual permitió su reconomiento a nivel nacional, principalmente . Fabricadas en España. He’s been there from the start. Then there’s Delphine, and Zouzou, a great figure of ’60s Parisian nightlife. MARLON MAGNÉE — That’s true, but we’ve had so many female singers collaborate on our albums that there’d actually be many more women if they all joined us onstage. There are super underground parties, super cool stuff. by Kira Bunse and Maxime Ballesteros, quai de seine by benedict brink The French heard it and said: “Yé! Bikini Barcelona. info@bikinibcn.com +34 933 22 08 00. El grupo encontró a la cantante principal, Clémence Quélennec, en Internet. by Dario Catellani, nicolas godin MARLON MAGNÉE — She put out a yé-yé [1960s French pop] album back then, and there was this beautiful tune on it: “Il Est Parti Comme Il Était Venu” [“He Left the Way He Came”], a super sad breakup song. Este título precede la salida de un álbum anunciado para el otoño 2016.[3]. by Anders Edström, art (nouveau) by gianni oprandi MARLON MAGNÉE — We take all our biggest influences and mix them up. OLIVIER ZAHM — And sometimes you’ll put in something very violent, to clash with the lyrics. We like to do things together. Zapatillas para tu día a día. The Beach Boys? OLIVIER ZAHM — Then there’s Clémence Quélennec’s voice. You should do what you can with the constraints of the moment. MARLON MAGNÉE — We set an ambience, establish a feel. You should do what you can with the constraints of the moment. I’m truly glad, in any case. by Olivier Zahm, bernard-henri lévy Composer: Marlon Magnée, Sacha Got We’re trying to get them all done. Me, I’m okay with it, but other members of the band are not necessarily comfortable with that stuff. The Hollywood side of things is important to us. Grace is in it. OLIVIER ZAHM — To get back to yé-yé, what do you think of that period? OLIVIER ZAHM — There’s also a strong French identity that you’ve always wanted to keep in there. I was lucky enough to meet him in Paris. 13.9k Followers, 2,621 Following, 413 Posts - See Instagram photos and videos from Marlon Magnee (@marlon_magnee) Once they get tics, they get a thing going. It’s true that I like a certain coherence, as long as everyone’s different. You feel that it evolves, that it’s more of a band of friends. You do it for a long time, with love, and your product feeds in to the march of time. It’s an ensemble. Purple LIVE: INTERVIEW OF MARLON MAGNEE FROM THE BAND LA FEMME. kind of French class that they like. I think it’s got some country-western and some Oriental influence, and then there’s the reverb, which sends you right to California. MARLON MAGNÉE — Right now, we’re working on a record. OLIVIER ZAHM — Or maybe it’s just getting back to where it was? MARLON MAGNÉE — Yes, it’s personal. For classical music, it was Vienna. Various members joined later, including bass player Sam Lefevre, drummer Noé Delmas and Lucas Nunez from Paris. La Femme | Length : 03:50 . OLIVIER ZAHM — Right, because you’re an electronica group, but instruments and live performance are very important. by Andrea Spotorno, refettorio paris/jr It comes, it goes. by François Simon, paris scene by kira bunse and maxime ballesteros La Femme Marlon Magne }}- Canal Once, México, octubre de 2017. He’s an art director, stylist, and performer. It’s in the business of selling dreams. MARLON MAGNÉE — Yes and no. When we discovered Des Jeunes Gens Mödernes and BIPPP compilations from the Born Bad label, that stuff influenced us a lot. OLIVIER ZAHM — Sure, but there’s nonetheless something that ties you together. The group was formed in Biarritz, France by singer and keyboardist Marlon Magnée and guitarist Sacha Got. We told ourselves, “All right, we’re going to give it a try.” There aren’t really any groups in the United States doing this kind of new wave/’60s sound. For example, Stella, who put out a really pretty song called “Pourquoi Pas Moi?” [“Why Not Me?”]. They’re purists who make music the way they did in the ’60s. MARLON MAGNÉE — Yes and no. by Anna Dubosc, balenciaga by juergen teller And also through the soundtrack to. Back then, groups would show up in street clothes. interview by OLIVIER ZAHM by Ariana Reines, daniel buren They didn’t sell at the time. by Emilien Crespo, le servan/tatiana levha She was a traditional Corsican singer who sang super high, like a bird. They press play, and there are samples to back them up and make things sound fat. B) A French psych-pop band established by keyboard player Marlon Magnée and guitarist Sacha Got in Biarritz. We paid for own first tour with restaurant jobs. Now, we’re in a different economy, a different time, where you need brands to make a living and get your projects off the ground. Whereas we do everything the old-fashioned way, and we play the synthesizers by hand. Depuis trois ans maintenant, Caroline Receveur et Hugo Philip filent le parfait amour. singing in french, embracing the melodrama of love, live there’s no prerecorded track. Read Full Biography. He’d rather play new songs. MARLON MAGNÉE — That’s true, but we’ve had so many female singers collaborate on our albums that there’d actually be many more women if they all joined us onstage. That’s it. MARLON MAGNÉE — Yes. We ran into a lot of people who were real fans of that kind of music. That’s why he wanted to thin out the touring schedule a bit. OLIVIER ZAHM — Where does surf music come from? When we meet up, we discuss things together. We’re just wrapping up some new songs. But then, we love all languages. And your energy in concert is very similar: the performance side, your link with the audience, is important to you. I don’t know if you’ve managed to watch Sphynx. MARLON MAGNÉE — We each have our own thing. We told ourselves, “All right, we’re going to give it a try.” There aren’t really any groups in the United States doing this kind of new wave/’60s sound. I think what we were doing seemed a bit exotic to them. MARLON MAGNÉE — Yes, in French. by Emilien Crespo, lara stone by katja rahlwes It comes, it goes. We said: “Holy shit, listen to her! Once they get tics, they get a thing going. Two of us, Sacha and I, are writing the songs. If in 20 years, I listen back to my songs and find them just as wicked as before, then I’ve won. MARLON MAGNÉE — There are a few trad groups with the vintage 1962 guitars and the Fender amps and the typical reverb. MARLON MAGNÉE — Yeah, absolutely. by Daido Moriyama, quiet days in clichy by anders edström Of. Formación. The group was named La Femme in 2010. The band got to know the lead singer Clémence Quélennec on the internet. by Olivier Zahm, tatiana trouvé But there were people with great potential. There are lots of contrasts. One time, we brought on a chick we’d discovered on the set of Nouvelle Star. by Gianni Oprandi, chantal crousel We set the mood. by Oscar Heliani, debeaulieu/pierre banchereau
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